Find Your Film

Versatile daylight film. Good for outdoor shooting with natural light. Fine grain and accurate color reproduction.

Low-speed film for bright conditions. Extremely fine grain — ideal for landscapes and situations where you want maximum detail.

Tri-X 400 — the classic photojournalism film. High contrast, distinctive grain, and a timeless character that has been defining black and white photography for decades.

Ilford XP2 Super — a chromogenic B&W film that develops in standard C-41 chemistry. Smooth tones, fine grain for the speed, and flexible exposure latitude.

Kodak’s workhorse consumer color film. Vivid colors, wide exposure latitude, and the versatility to handle mixed lighting. Great all-around choice for any situation.

The finest grain of any color negative film. Saturated, punchy color. Exceptional for landscapes and nature. Needs good light — rewards it richly.

The industry standard for portrait and wedding work. Natural skin tones, wide exposure latitude, and beautiful color under a wide range of lighting. Hard to overexpose.

Portra’s high-speed sibling. Indoor events, low light, or when you need a fast shutter. Retains the warm skin tone character of Portra 400 with a bit more grain.

Classic consumer color film. Natural tones and reliable performance in daylight. A solid choice for everyday shooting and casual photography.

Fuji’s cooler, slightly green-tinted color palette. Fine grain in bright conditions. Distinctly different from Kodak’s warmer look — popular with photographers who prefer a cooler tone.